The Criterion Collection
The Daily
Apr 1, 2022 — This week: A new Cinema Scope, Robert Siodmak, Theodore Witcher, reenactment in nonfiction, and the science of Dune.
Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.
Essays
Aug 11, 2020 — The Complete Films of Agnès Varda In September 2018, I screened Agnès Varda and JR’s Faces Places for the Michigan State University Film Collective. We had a lively discussion that went past the scheduled ending time. As I was getting...
Feb 28, 2020 — Flashbacks Had Jörn Donner been born anywhere other than Finland, he would have been world-famous. As it was, he dominated the Finnish cultural scene for several decades. Prolific writer, film critic, director, and producer, as well as a politician and...
Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...
Jun 17, 2019 — Renowned for his adaptations of Shakespeare and great operas, the director was also a controversial Italian senator and stood accused of sexual misconduct.
Jul 30, 2018 — At a time when women were rarely seen behind the camera, Babette Mangolte created a bold, distinctive aesthetic with a mix of slow rhythms and hauntingly static compositions.
Short Takes
Feb 28, 2018 — With the Oscars coming up this weekend, we gathered some highlights from an in-depth conversation with five of this year’s most-lauded directors.
Interviews
Jun 20, 2017 — With both films now streaming on the Criterion Channel, director Carroll Ballard discusses the parallels between his short documentary Rodeo and Francesco Rosi’s bull-fighting classic The Moment of Truth.
Mar 12, 2017 — With his new film Personal Shopper now in theaters, we’re sharing a conversation we had with the acclaimed French filmmaker during his visit to the Criterion office last October.