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More than a Game

Feb 28, 2011 In 1969, director Alexander Macken­drick retired from the film industry and became founding dean of the film school at the newly established California Institute of the Arts. Passionately interested in the pedagogy of cinema (“Film writing and directing cannot be...

Nov 16, 2010 To make a silent film in 1931, four years after The Jazz Singer, was to buck the trend in a film industry rapidly divesting itself of silence. To make another in 1936, nearly a decade after the advent of sound,...

Apr 21, 2010 This piece originally appeared in La revue du son in December 1962, and was translated by Royal S. Brown for his 1972 book Focus on Godard. When Jean Collet submitted the article for the collection, he wrote that his remarks...

Feb 13, 2008 We’ve been getting some questions about the three children’s classics from Janus Films. One good customer writes: “I’m wondering what the situation with The Red Balloon, White Mane, and Paddle to the Sea is. They are listed on the Criterion...

Oct 2, 2007 Longtime Criterionites remember the days when we were a part of the Voyager Company. Voyager had a long history of innovations, hooking up laserdisc players to early Macintosh computers to explore the world’s museums or inventing interactive software to explore...

Oct 16, 2006 Screenwriter Carlos Cuarón delves into the character played by Luis De Icaza.

Jan 31, 2005 Like the movie’s rattletrap trucks lurching down the highway as they carry way-too-heavy loads, the characters in Jules Dassin’s brilliantly volatile Thieves’ Highway struggle under psychological and moral baggage until they can lay their burdens down. Working from a novel...

Early Summer

Essays

Jul 19, 2004 In Yasujiro Ozu’s hands, the extended-family drama widened its focus to encompass friends, neighbors, and employers.

RoboCop

Essays

Sep 8, 1998 Paul Verhoeven’s breakthrough American film gleefully satirizes the Reagan era’s pet doctrines of free enterprise and privatization.

Apr 21, 2008 Juan Antonio Bardem combines neorealism with noir thriller to create a new dialect that would forge a new Spanish cinematic language.

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