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Le Menuet lilliputien

Where Were We?

The Daily

May 17, 2017 Welcome to the first entry of the Daily at the Criterion Collection. For those of you who don’t know me, since 2003 I’ve been gathering links to essential—or simply fun—reading, news stories, and items of interest into a sort of...

May 2, 2017 It was a cold January morning, with biting winds coming off the Seine, when I stopped by the Librairie du Cinéma du Panthéon during a break from working on our upcoming release of Marcel Pagnol’s Marseille Trilogy. This film-specialty bookstore...

Apr 5, 2017 An exhibition in New York showcases the great French filmmaker’s gallery art, ranging from photographic portraits to installations that blend still and moving images.

Apr 5, 2017 At eighty-eight years old, Agnès Varda is still blossoming as an artist. Long known primarily as a filmmaker, a vocation she took up more than half a century ago, the French iconoclast is now in what she gleefully describes as...

Mar 28, 2017 In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.

Being There

Visual Analysis

Mar 19, 2017 David Cairns takes a close look at the carefully calibrated minimalism of Hal Ashby’s masterful satire.

Feb 23, 2017 An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.

Feb 16, 2017 Repertory PicksTomorrow, the International House Philadelphia salutes French actor-director Pierre Etaix with a double dose of his unique brand of physical comedy. The screening kicks off with As Long as You’ve Got Your Health (1966), a compendium of four hilarious...

Jan 23, 2017 In his radical debut feature, Ousmane Sembène reveals the agony of the postcolonial experience through the story of a Senegalese migrant abused by her French employers.

Dec 13, 2016 John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.

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