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Four Times that Night

Nov 10, 2014 Monte Hellman’s existential westerns take Beckett to the desert.

Oct 2, 2014 The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...

Feb 28, 2014 The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...

Dec 2, 2013 With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.

Oct 7, 2013 René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.

Sep 17, 2013 The author sheds some light on the fascinating life of the American scriptwriter behind Roberto Rossellini’s Paisan.

Feb 5, 2013 Keisuke Kinoshita’s most experimental film is a resplendent, kabuki-inspired, folk-derived drama about mortality.

Aug 18, 2011 Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...

Jun 20, 2011 Genres collide in the great Hollywood movies of the mid­fifties cold-war thaw. With the truce in Korea and the red scare on the wane, ambitious directors seemed freer to mix and match and even ponder the new situation. The western...

Art House in Austin

Short Takes

Apr 27, 2011 As those immersed in American film culture know, Austin, Texas, has been a growing hub of activity for the past twenty years. With the Austin Film Society, such locally based filmmakers as Richard Linklater and John Pierson, the Alamo Drafthouse Cinema, the Austin Film Festival, the city...

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