The Criterion Collection
Feb 14, 2018 — With her acclaimed new film Western opening in theaters this week, we spoke with German director Valeska Grisebach on the romantic ideals of the quintessential American genre.
Feb 7, 2018 — In this excerpt from a supplement on our edition of Elevator to the Gallows, jazz legend Miles Davis plays his improvised score to projected images from the film.
In Theaters
Feb 1, 2018 — This Saturday, the Pickford Film Center in Washington presents a screening of Edward Yang’s four-hour coming-of-age epic A Brighter Summer Day.
Essays
Jan 30, 2018 — In his first sound film, silent-era master G. W. Pabst captures both the familial camaraderie and everyday brutality of life in the trenches.
On the Channel
Jan 29, 2018 — In the latest episode of Observations on Film Art, now playing on the Criterion Channel on FilmStruck, professor Jeff Smith discusses Robert Altman’s playful experimentation with genre in his 1992 film The Player.
On the Channel
Jan 23, 2018 — With her award-winning short film playing on the Criterion Channel, Chilean newcomer Francisca Alegría chats with our programmer about the art and experiences that inspire her work.
In Theaters
Jan 18, 2018 — One of the landmarks of 1960s Japanese cinema plays at the Berkeley Art Museum and Pacific Film Archive this week.
Jan 12, 2018 — One of the greatest works of Cuban cinema returns for a theatrical run at New York City’s Film Forum this week.
Dec 21, 2017 — Ruben Östlund is the director of the acclaimed films Force Majeure and The Square, the latter of which won the Palme d’Or at the 2017 Cannes Film Festival.
Essays
Dec 21, 2017 — With D. A. Pennebaker’s groundbreaking concert film, rock music solidified its status as a universal language.