The Criterion Collection
The Daily
May 4, 2020 — A new 976-page biography delves into the life and work of an ultimately unknowable man.
The Daily
Apr 30, 2020 — Festivals scheduled through August are taking their editions online, while studios and theater chains face off over digital releases. Here’s the latest on the impact of the virus.
Apr 28, 2020 — I first fell in love with Miranda July’s work with her strange, wild, poignant short stories; her stories led me to her novel and first two feature films, which I watch so often that they have over time become spiritual...
The Daily
Apr 24, 2020 — The range this week stretches from silent Soviet classics through Hollywood’s heyday and the Czech New Wave to the revolutions of the late twentieth century.
Apr 22, 2020 — One of the true dark glories of the Czechoslovak New Wave, The Cremator (Spalovač mrtvol, 1969) is the most popular and indelible work by the underappreciated Juraj Herz and remained a firm favorite of the director’s among his many films....
Apr 22, 2020 — Deep Dives The Forest for the Trees, by German filmmaker Maren Ade, is one of the deepest depictions of loneliness on-screen. After serving as a television producer and shooting two shorts, Ade made this first feature, based on her own...
The Daily
Apr 21, 2020 — What happens to the films slated to premiere at Cannes 2020? After all, the fall festival season is beginning to look pretty iffy, too.
The Daily
Apr 17, 2020 — Tsai Ming-liang, Charlie Chaplin, Wim Wenders, and Albert Serra are just some of the names in the news this week.
Apr 14, 2020 — Whether or not you believe it is the greatest year of all for the Hollywood studio system, the wonder of 1939 is the sheer depth of its bench. On a ten-movie best-picture ballot, the Oscars found no room to nominate...
Apr 8, 2020 — Plus Godard on Instagram, Almodóvar from Madrid, and John Sayles on his favorite movies.