Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.

Apr 24, 2006 — This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.

Jun 27, 2005 — Kô Nakahira’s taboo-busting melodrama heralded a reinvention of Japanese cinema.

May 9, 2005 — This seminal documentary conveys the particular seductiveness and resonance of the dream of going pro for two talented Chicago teenagers.

Jan 6, 2003 — Ernst Lubitsch set the screwball comedy standard, treating hard-on material with dignified aplomb and a combination of suaveness, hilarity, and sexiness.

The Vanishing

Essays

Sep 17, 2001 — George Sluizer’s nightmarish film is a study in everyday madness, rooted in the specifics of the Dutch and French landscapes and character.

Jun 7, 1993 — For as long as images have flickered on a screen, romance has been the ever-beating heart of the filmgoing experience, and audiences never seem to tire of seeing lovers in each other’s arms. Yet when it comes to the most...

Oct 21, 1991 — Written under the German occupation of France, and produced with the sanction of occupation censors, Marcel Carné’s masterpiece began shooting on August 17, 1943, at the Victorine Studios in Nice.

49th Parallel

Essays

Dec 9, 1990 — Michael Powell’s war thriller ranks alongside Hitchcock’s Foreign Correspondent as one of the two finest amalgams of suspense and propaganda to grace the big screen during the years 1939-45.

Lola Montès

Essays

Nov 10, 1986 — Max Ophuls’s masterpiece is a transformation of a conventional subject into an avant-garde adventure, and a spectacular stylistic breakthrough in the utilization of wide screen and color.

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