– The Man Who Came Back

Oct 23, 2010 — In 1945, a teenage Stanley Kubrick was given a job as staff photographer at Look magazine, where he published more than nine hundred striking images, most of them in the realist style of New York School street photography. By the...

Oct 12, 2010 — One Every movie is two stories: the one it tells and the one that remains to be told about it by those involved in its creation. These two narratives converge in a certain current of the cinema of the past...

Apr 22, 2010 — It’s easy to get anxious about the place of Jean-Luc Godard in our cultural slipstream. He’s held a top-shelf slot of honor that has seemed unassailable for nearly sixty years, but sometimes I fear that his currency is becoming drastically...

Feb 24, 2010 — Major Barbara: Stage to Screen It was one of the most improbable linkups in the history of either theater or cinema—as unlikely as Andrew Undershaft’s turning over his munitions empire to Adolphus Cusins, his not-quite-yet son-in-law (and newly declared “foundling”),...

Oct 29, 2009 — In the spirit of the season, we asked a select coven of horror mavens (including a couple of our own) to write about their favorite Criterion scarefests. Chuck StephensEquinox: The Eyebrows of Mr. Asmodeus There are myriad ways into Equinox,...

Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.

Jul 23, 2007 — It’s hard to think of an artist who better exemplifies the obscuring ebb and flow of film history than Raymond Bernard.

Feb 12, 2007 — Vittorio De Sica’s seminal drama renounces “egoism” for collective concern, envisioning a cinema of impassioned social conscience.

Jan 16, 2007 — The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.

Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Luis De Icaza.