A Misappropriated Turkey

Jan 31, 2018 — This month, we’re bringing two essential Criterion editions to the United Kingdom: Andrei Tarkovsky’s 1962 debut feature, Ivan’s Childhood, a haunting depiction of World War II through the eyes of a young boy; and Delmer Daves’s 1957 western 3:10 to...

Jan 31, 2018 — This year’s Skandies countdown has begun. Mike D’Angelo’s twenty-third annual survey of critics he knows and trusts is always one of most interesting of the many best-of-the-year lists to spend time with. There are nine categories, including best scene, which...

Jan 31, 2018 — “Originality has never been a problem for documentarian Robert Greene, whose films Actress and Kate Plays Christine have freely crossed the lines between fly-on-the-wall realism and overt artificiality,” writes Noel Murray for the Week. “Bisbee ’17 is Greene’s masterwork. Shot...

Jan 30, 2018 — “In what he describes as a ‘forward’ to this film, director Jan Svankmajer—talking straight to the camera and fluffing his lines repeatedly—admits that he doesn’t actually know what this, apparently his final picture, is about.” So begins Wendy Ide in...

Jan 30, 2018 — In his first sound film, silent-era master G. W. Pabst captures both the familial camaraderie and everyday brutality of life in the trenches.

Jan 30, 2018 — With Phantom Thread opening in the UK on Friday, Screen’s Andreas Wiseman gets Daniel Day-Lewis talking about working with Paul Thomas Anderson. “There’s nothing mad you can do that he won’t encourage you to be madder. I love that. You...

Jan 29, 2018 — Acclaimed filmmaker Bertrand Tavernier pays loving tribute to Claude Autant-Lara’s diamond-cut romantic tragedy Douce and its radical take on class relations.

Jan 29, 2018 — We begin with the series today, because Michael Haneke has just signed on to direct his first one, Kelvin’s Book. Deadline’s Nellie Andreeva tells us that the “English language, ten-part, high concept series is set in a dystopian world and...

Jan 29, 2018 — In the latest episode of Observations on Film Art, now playing on the Criterion Channel on FilmStruck, professor Jeff Smith discusses Robert Altman’s playful experimentation with genre in his 1992 film The Player.

Jan 29, 2018 — “It is an altogether extraordinary life, the stuff of epic,” writes Simon Callow, having just taken us from milestone to milestone in the first fifteen paragraphs of an outstanding piece for the New York Review of Books. “And now, it...