The Criterion Collection
Essays
Nov 19, 2008 — Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.
Nov 9, 2008 — “Though the Maysles are best known for their hippie-era music docs Monterey Pop and Gimme Shelter, as well as the opaque weirdness of Grey Gardens from 1975, Salesman stands as the movie where they really found their voice as leading...
Oct 30, 2008 — In town for the New York Film Festival screenings of his much-admired A Christmas Tale, French director Arnaud Desplechin talked to Dennis Lim about his always allusive filmmaking style and his particular influences in making this dysfunctional-family holiday film, including...
Sep 29, 2008 — After Ozu died on his sixtieth birthday, December 12, 1963, some thirty-two diaries were discovered. They were from 1933 to 1963, and though a few years were missing, they offer a commentary on the life of the director and reveal...
Essays
Jul 21, 2008 — A dreamy alternative to the standard notion of horror, Carl Theodor Dreyer’s phantasmal film reimagined the figure of the vampire.
Jun 12, 2008 — Spring is ready to surrender to summer here in the Big Apple, and in keeping with my intentions, I sat down and watched The Love Parade and Monte Carlo from the Lubitsch Musicals Eclipse set. I found them to be...
Production Notes
Apr 1, 2008 — As a generation of artists passes, the deaths often seem to come eerily close together, amplifying their individual achievements. In the past couple of weeks, we’ve lost The Naked City screenwriter Malvin Wald, then the incomparable Richard Widmark, and now...
Jan 22, 2007 — Spencer Gordon Bennet’s eclectic science fiction–adventure movie bundles a serious patriotic message within its retelling of the Odysseus myth.
Essays
Nov 27, 2006 — Centered on the destruction wrought by unbridled female eros, Pandora’s Box would, in its shockingly modern, instinct-driven psychology, end up defining both its director and its star.
Jul 11, 2005 — The trickily variant sensibilities of the three daydreams and their long duration are what mark Unfaithfully Yours as a stray modernist object.