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The One

Jan 7, 2016 View a clip from Lady Snowblood: Love Song of Vengeance, featuring actor Meiko Kaji in a scene that highlights the film’s dazzlingly choreographed combination of visual beauty and unflinching ferocity.

Nov 6, 2013 Samuel Fuller and Vincent Price would seem to make an incongruous pair. The director’s gritty, unaffected sensibility might seem antithetical to the actor’s lofty, melodramatic approach to performance. But Price is delightful as the protagonist in Fuller’s second film, The...

September Books

The Daily

Sep 29, 2025 Notes on new studies of David Lynch and Stanley Kubrick and biographies of Jane Birkin and Terrence Malick.

Sep 12, 2024 Chime, a French remake of Serpent’s Path, and Japan’s Oscar submission, Cloud, have all premiered within months of each other.

Light in Stereo

The Daily

May 17, 2024 We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.

Nov 14, 2022 Most reviewers are getting a kick out of Tarantino’s blend of memoir and film criticism.

Oct 22, 2021 Deep Dives People of color have often been erased from the history of queer life, but against the odds they have managed to leave behind important documents of their communities’ survival, including underappreciated films that remain to be discovered by...

Apr 20, 2021 Starring Adam Driver and Marion Cotillard and featuring a soundtrack by Sparks, Annette will premiere in competition.

Nov 18, 2020 In Chris Marker’s Sans Soleil (1983), often considered the essay film, we meet the wildcat video game designer Hayao Yamaneko, who imports scenes from his life into his memory machine. The machine is shown only in parts: a slider being...

May 6, 2020 Once seen, the opening credits of Juraj Herz’s pitch-black satire The Cremator (1969) are not soon forgotten. At the beginning of the handcrafted, collage-style sequence, a still close-up of the protagonist’s head, from the eyes up, takes over the screen,...

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