As One

Dec 9, 2009 — Not that he himself wanted to be remembered. Rather, he wanted his work to be remembered. He once wrote: “Take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’” It was as though he thought he did not exist except through...

Dec 6, 2009 — Jim Ellis’s insightful new book, Derek Jarman’s Angelic Conversations (University of Minnesota Press), builds from the premise that “Jarman is the mostimportant Anglo-American gay director in the post-Stonewall era, although it is surprising that, to my knowledge, no one has ever...

Dec 1, 2009 — Mick Jagger’s former assistant remembers the joy and chaos of touring with the Stones.

Dec 1, 2009 — New York artist Jason Polan (known to Criterion fans as the guy behind the “wacky animals” in our monthly newsletters) has been on a mission that’s, to put it mildly, ambitious. The goal of his ongoing drawing project, Every Person...

Dec 1, 2009 — In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...

Nov 13, 2009 — Japanese director Nobuhiko Obayashi, who made the utterly bonkers 1977 kinda-horror film House, currently getting a first-time American theatrical run from Janus Films, is profiled by Paul Roquet in a new essay for Midnight Eye. One of the few pieces...

Nov 9, 2009 — The following essay, written in October 1987, after the release of Wings of Desire, originally appeared in The Logic of Images, a collection of Wim Wenders’s writing that was published in 1992. In the last few years, since Paris, Texas, Berlin...

Oct 22, 2009 — Sheila Heti of the Believer had a chance to talk to Agnès Varda during the Toronto International Film Festival—or rather, a chance to be one of a group of reporters whom Varda, at the festival with her film The Beaches...

Oct 22, 2009 — The eighty-one-year-old Ennio Morricone has been composing hypnotic music for film since the early 1960s, for projects ranging from spaghetti westerns (his whistling, woodwindy five-note theme for The Good, the Bad and the Ugly is one of the most recognizable...

Oct 22, 2009 — Almost a decade ago, Catherine Breillat, one of contemporary cinema’s great provocateurs, gave us Fat Girl (À ma soeur!), a disturbing and graphic look at the pitfalls of adolescent sexuality from the point of view of a pair of young sisters....