Ten

Aug 30, 2021 — As the fifty-fifth edition wrapped over the weekend, Stefan Arsenijević’s As Far as I Can Walk took three prizes.

Aug 26, 2021 — Steven Soderbergh lines up another series and adaptations of novels by Colson Whitehead and Taffy Brodesser-Akner are in the works.

Aug 20, 2021 — This week we’re appreciating performances from Elliott Gould and Elaine Stritch and delving into the work of Lav Diaz and Kevin Jerome Everson.

Aug 20, 2021 — The author of Velvet Was the Night pays tribute to the shockingly stripped-down, dread-inducing use of silence in Jean-Pierre Melville’s masterful neonoir.

Aug 17, 2021 — This month we’re reading about Hollywood memoirs, cultural histories, and the revived debate over the screenplay for Last Year at Marienbad.

Aug 16, 2021 — Here’s what critics have been saying about the winners of the top awards.

Aug 13, 2021 — This week we’re reading about the first and second waves of noir and taking a good look at a smartly dressed man.

Aug 12, 2021 — The competitive program will premiere new work from Laurent Cantet, Lucile Hadžihalilović, and Hany Abu-Assad.

Aug 4, 2021 — Updates on the latest news from Sundance, Tribeca, Locarno, Toronto, Venice, San Sebastián, and London.

Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.