The Criterion Collection
Interviews
Jun 18, 2020 — When Jamie Babbit’s But I’m a Cheerleader made its theatrical premiere in July 2000, it was entering a queer political landscape vastly different from the one we live in today. Over the last two decades, we’ve witnessed the rise of LGBTQ...
Mar 26, 2019 — It’s the afternoon of February 8, 1964, and Ed Sullivan has assembled a gaggle of CBS ushers to talk about tomorrow night’s show, featuring the four lads from Liverpool who call themselves the Beetles—strike that, the Beatles. He needs to...
Essays
Feb 15, 2012 — Comedy evolves. We long ago bid adieu to the physical acrobatics of Buster Keaton, the wisecracks of Bob Hope, the witty repartee of Cary Grant and Irene Dunne. The now-reigning comedy of embarrassment, seen in the films of Judd Apatow...
The Daily
Mar 25, 2021 — One of the most beloved performers of the 1970s staged two comebacks in his later years.
Essays
Apr 6, 1993 — Robert Altman’s darkly witty, gleefully close-to-bone satire of Hollywood is also a return to the infinitely sly and supple virtuosity that marked his great work of the ‘70s.
May 21, 2024 — The Senegalese filmmaker’s steadfast devotion to African autonomy led him to become a foundational contributor to the hard-won, dynamic flourishing of an independent cinematic tradition on his home continent.
Jan 17, 2023 — One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.
Dec 14, 2020 — This year’s selection features a record number of films directed by women and people of color.
Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.
The Daily
Feb 25, 2019 — Turns out, not everyone loves a winner.