The Criterion Collection
Dec 9, 2002 — What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.
Sep 23, 2002 — The theatricality of Alfred Hitchcock’s thriller makes the point that psychoanalysis is a sister to cinema rather than a rival.
Essays
Oct 15, 2001 — Preston Sturges’s beloved comedy provides insights into the way Hollywood formulas work on us.
Essays
Sep 17, 2001 — Jirí Menzel’s war comedy is an absurdist symphony of self-absorption and impotence.
Dec 9, 1991 — This rarely seen, overlooked gem, featuring what may be one of Marlon Brando’s most fascinating characterizations, was Gillo Pontecorvo’s worthy follow-up to his political masterpiece The Battle of Algiers. The brilliant radical Italian director achieved something unique in cinema, by...
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...
Feb 8, 2019 — An actor in film, television, and theater, Raúl Castillo is best known for his portrayal of Paps in the critically acclaimed We the Animals, for which he was nominated for an Independent Spirit Award, and for his role as Richie...
Nov 29, 2017 — Tracy Letts is an American playwright, screenwriter, and actor. He received the 2008 Pulitzer Prize for drama for his play August: Osage County and a Tony Award for his portrayal of George in a revival of Who’s Afraid of Virginia...