Jul 6, 2021 Howard Hawks’s madcap battle of the sexes is a reminder of how necessary and sneakily profound silliness can be.

Apr 22, 2021 Monte Hellman In 1965, Monte Hellman took a cast and crew to a desert in Utah and shot two westerns back to back. With The Shooting and Ride in the Whirlwind, Hellman introduced an existential dread and a Beckettian sense...

Mar 29, 2021 Channel Calendars Next month, the Criterion Channel ups the ante with a collection of some of the greatest films ever made about the pulse-racing highs and gutter-dwelling lows of gambling. We’re also dealing out the Marx Brothers’ anarchic comedies, sublime...

Mar 9, 2021 Stanley Kubrick’s lost-and-found Lunatic at Large and Michelangelo Antonioni’s Technically Sweet are back in the works.

Jan 26, 2021 I stumbled onto Will Niava’s debut short film, Zoo, via a still I saw online: a close-up of a young man’s face under blue neon, framed by cigarette smoke. Curious about this striking image, I tracked down the film and...

Dec 14, 2020 This year’s selection features a record number of films directed by women and people of color.

Nov 19, 2020 For most of my life, makeover sequences in film comedies held an irresistible allure. The mousy young woman who realizes her own inner and outer (but mostly outer) beauty after receiving the attentions of the right man (or the right...

Oct 9, 2020 In the summer of 2020, I spoke with Philippe Garnier about his book Scoundrels & Spitballers: Writers and Hollywood in the 1930s, available for the first time in English from Eddie Muller’s Black Pool Productions. The book introduces a rogues’...

Sep 8, 2020 Always a lively presence on-screen, Menzel also directed Closely Watched Trains and I Served the King of England.

Jul 15, 2020 When I first saw The Lady Eve (1941), in my teens, I was certain I had never seen a comedy more perfectly constructed, a judgment that the subsequent decades have not revised. I had also seen none more acutely witty,...

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