On the Town

Jul 11, 2017 — A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.

Jun 30, 2017 — Film scholar Linda Williams explores the political implications of Sam Peckinpah’s brutal suspense film and its highly controversial intermingling of sex and violence.

Jun 28, 2017 — Carice van Houten, seen above in Paul Verhoeven’s Black Book (2006), “is teaming with fellow Game of Thrones regular Nicolaj Coster-Waldau to star in Domino, the suspense thriller from Brian De Palma penned by Kon-Tiki scribe Petter Skavlan,” reports Deadline’s...

Jun 8, 2017 — When we think of American cinema in the 1970s, it’s the “New Hollywood” that first comes to mind, landmark films such as The Godfather and Taxi Driver, Nashville and Chinatown. In his new book, Opening Wednesday at a Theater or...

Jun 5, 2017 — Known for playing sexy noir toughs, Ralph Meeker underwent a startling transformation as the anguished, slovenly male lead in Jack Garfein’s psychological drama.

May 17, 2017 — With her son, Felix Moeller (Forbidden Films), Margarethe von Trotta (The Lost Honor of Katharina Blum, Hannah Arendt) will direct the documentary Ingmar Bergman – Legacy of a Defining Genius, reports Variety’s John Hopewell: “Exploring Bergman’s work with his closest...

Apr 27, 2017 — Blending irreverent comedy and surreal eroticism, Juzo Itami’s international hit is a utopian look at the peculiarities of gastronomic culture.

Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.

Feb 23, 2017 — Few writers have dissected their own coming-of-age with as much unflinching honesty as award-winning author Mary Karr, whose best-selling books include The Liar’s Club and Lit: A Memoir. For the latest installment in our original series Adventures in Moviegoing, now...

Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.