Men and Women

Sep 5, 2017 — “If the only thing we wanted, or expected, a horror film to do was to get a rise out of you—to make your eyes widen and your jaw drop, to leave you in breathless chortling spasms of WTF disbelief—then Darren...

May 30, 2017 — Now that the Cannes Film Festival has wrapped, we’ve got some catching up to do. Let’s begin with Scout Tafoya’s report for the Village Voice on a recent symposium “on film criticism and scholarship commemorating the legacy of German film...

Jan 30, 2017 — Film scholar Shonni Enelow reveals the methods of the Mamet style of acting in this examination of Crouse’s subtly feminist lead performance.

Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.

Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.

May 16, 2011 — Among the most enduringly popular motives for murder, in films as in life, is the desire to remove an impediment to happiness—to get somebody, once and for all, out of the way. In life, of course, the goal of freeing...

Feb 8, 2011 — Federico Fellini was born and brought up in Rimini, Italy, a small seaside town in the province of Emilia-Romagna. Amarcord is a neologism he contrived, which comes closest to the Emiliano-Romagnolo dialect phrase mi ricordo (I remember). Fellini, a great...

Feb 1, 2011 — When Krzysztof Kieślowski’s The Double Life of Véronique was first screened at Cannes, in 1991, the critical reception was rapturous. Georgia Brown declared in the Village Voice, “Anything I say about [the film] is merely a labored minuet danced around...

Nov 25, 2010 — Five Easy Pieces is not a statement about America but a closely observed report. Or, perhaps, a confession.

May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.