The Criterion Collection
Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.
Features
Aug 14, 2016 — While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.
Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.
Jul 17, 2015 — As visually and sociopolitically expansive as it is intimate in its details of a boy’s coming of age, Jan Troell’s film is one of the great cinematic debuts.
Essays
Dec 10, 2014 — Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.
Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.
Essays
Sep 25, 2012 — No mere jigsaw movie, David Fincher’s thriller is also a nuanced character study, a satire of corporate culture, and a film about filmmaking.
Jun 12, 2012 — Hal Ashby’s delicately off-kilter May-December romance stars two of the unlikeliest countercultural icons of the seventies.
Feb 24, 2012 — The writer reflects on the decades-long creative collaboration and friendship between his father, playwright and television writer Elihu Winer, and John Voelker, judge and author.
Apr 25, 2011 — In 1981, the legendary critic went all out for Blow Out, which she thought was De Palma's most mature work to date.