The Criterion Collection
Dec 5, 2012 — In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.
Short Takes
Oct 5, 2012 — Wong Kar-wai’s In the Mood for Love is so exquisitely rendered and precisely calibrated that it seems it could only have ever been conceived of as the pensive, formal meditation that it is. But surprisingly, neither Wong nor his stars—Maggie...
In Theaters
Sep 6, 2012 — Repertory PicksStarting this week, the University of Wisconsin-Madison Cinematheque joins forces with the university’s Chazen Museum of Art to cast a spotlight on Italian art. In conjunction with the Chazen’s exhibition Offering of the Angels: Paintings and Tapestries from the...
In Theaters
Aug 2, 2012 — Repertory PicksOne of the upcoming releases of ours that we’re most excited about is Paul Fejos’s Lonesome. It’s early-Hollywood buried treasure, produced by Universal at a time when studios were still cranking out silent films as well as the talkies...
Jun 19, 2012 — Steven Soderbergh delivers a poignant psychological portrait of the late Spalding Gray in this deftly structured documentary.
May 29, 2012 — A watershed film in Bergman’s career, this tale of a woman caught between the past and present is a masterful study in darkness and light.
Apr 13, 2012 — Performances Fists in the Pocket, a gasp-inducing, mouth-frothing, black-comic attack on bourgeois values, is remembered first and foremost as a shocking debut from director Marco Bellocchio. But it gave its star, Lou Castel, a memorable entrance of his own: he...
Apr 26, 2011 — At once prestigious literary adaptation and slapstick buddy flick, this is something like a lowbrow art film, an egghead monster movie, a hilarious paean to reckless indulgence, and perhaps the most widely released midnight movie ever made.
Mar 23, 2010 — In myriad inventive ways, Terrence Malick’s philosophical drama shows us how nature and culture are always intertwined.
Sep 22, 2009 — A new era in popular music deserves a new era in filmmaking—that’s the basis of the perfect, fortuitous match-up between rock and cinema in D.A. Pennebaker’s concert film.