The Criterion Collection
Essays
Oct 5, 2021 — Kaneto Shindo’s visceral erotic-horror film centers on a dangerous duo of women fighting to survive while men are away at war.
The Daily
Oct 1, 2021 — This week we’re celebrating Haile Gerima, reading the new Cinema Scope, and listening to Julie Delpy.
Sep 30, 2021 — The Oscar-winning actor—whose one-hundredth birthday we’re celebrating on the Criterion Channel—embodied a mess of contradictions that have long been obscured by her reputation for unbending rectitude.
On the Channel
Sep 29, 2021 — Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.
Sep 24, 2021 — The celebration of the life and work of the filmmaker, novelist, rebel, and father has just begun.
Features
Sep 22, 2021 — Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...
Sep 14, 2021 — A staple of 1980s British cinema, Neil Jordan’s crime drama considers the slippery characters that inhabit the London underworld.
Criterion Designs
Sep 13, 2021 — The Los Angeles–based artist behind the covers for our editions of Amarcord and The Awful Truth discusses the evolution of her work.
The Daily
Aug 30, 2021 — As the fifty-fifth edition wrapped over the weekend, Stefan Arsenijević’s As Far as I Can Walk took three prizes.
On the Channel
Aug 30, 2021 — Next month, we’re headed to the Big Apple with a century-spanning survey of New York on-screen.