Back To Search

Do Not Enter

Jul 19, 2021 When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...

Jul 13, 2021 One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...

Jul 7, 2021 In the 1990s, Hong Kong was home to a staggering number of the most gifted and charismatic actors in the world. It’s impossible to imagine the films of Wong Kar Wai—or the global art-house phenomenon they generated—without these extraordinary performers;...

June Books

The Daily

Jun 22, 2021 This month’s roundup of new and noteworthy titles opens with “a counterfactual history of the movies.”

Jun 9, 2021 As part of Criterion’s team of digital-restoration artists, it’s my job to make dusty old films look polished and new again, like the first time they were ever screened for the public. This process is akin to photo retouching, but...

May 21, 2021 Known for her resilient heroines, the prolific Japanese actor finds agency through moments of hesitation in one of her seventeen collaborations with Mikio Naruse.

Couples and Cops

The Daily

May 14, 2021 Look who’s back: Alain Delon and Romy Schneider, Charlie Chaplin, Dee Rees, and . . . Cop Rock?

Mar 29, 2021 Channel Calendars Next month, the Criterion Channel ups the ante with a collection of some of the greatest films ever made about the pulse-racing highs and gutter-dwelling lows of gambling. We’re also dealing out the Marx Brothers’ anarchic comedies, sublime...

Mar 23, 2021 “Pleasure,” wrote Samuel Butler in The Way of All Flesh, “is a safer guide than either right or duty.” Surely this is true when it comes to watching films. While cinema can be edifying, most of us go to the...

Mar 5, 2021 Here’s an overview of what critics have been saying about this year’s winners of the Berlinale’s top awards.

Current Page
52
of 79

You have no items in your shopping cart