The Criterion Collection
May 26, 2008 — As Britain stood on the threshold of a long-dreaded war in 1939, Alexander Korda decided to show what cinema could do to rally the nation and win support around the world.
May 12, 2008 — Today it may be hard to understand the shock waves that Louis Malle’s romantic drama created with its “frank” depiction of a woman’s sexual pleasure, but in the context of late-1950s France, it was a bombshell.
Nov 19, 2007 — Akira Kurosawa explores criminal machismo in his seventh film, which he felt was his official breakthrough in Japanese cinema.
Essays
Jun 18, 2007 — Yasujiro Ozu had already directed forty-five features by the time he started work on Early Spring, in 1955, but the artistic and commercial success of his previous film, Tokyo Story (1953), had rejuvenated him.
Jun 5, 2006 — Painful, beautiful, and discomfiting, Maurice Pialat’s coming-of-age drama remains as startling in its honesty, its unique mix of savagery and delicacy, as it was in 1983.
Sep 26, 2005 — “They were down for each other.” If one wanted to pitch the concept of Bad Timing in six words, this comment by its director, Nicolas Roeg, couldn’t be bettered.
May 9, 2005 — Les Blank’s documentary examines the interaction of premodern tribal existence with European modernity, epitomized by a movie narrative about the invidious clash of brute nature and a singular ego bent on his own mission of cultural enlightenment.
Essays
Apr 19, 2004 — “Floating weeds, drifting down the leisurely river of our lives,” has long been a favored metaphor in Japanese prose and poetry. This plant, the ukigusa (duckweed in English), floating aimlessly, carried by stronger currents, is seen as emblematic of our...
Essays
Oct 27, 2003 — Attuned to the ineffable weirdness and crushing mundanity of workplace paranoia, Steven Soderbergh’s film finds anger and sorrow in the way we brutalize our means of communication
Essays
Aug 18, 2003 — The third installment in Ingmar Bergman’s trilogy about religious faith sees the auteur coming to terms with the pious rigidity and strangled emotional life of his own upbringing.