The Wingwalker

Feb 5, 2009 — “Around the time that the KKK rode to victory in The Birth of a Nation (1915), Al Jolson applied burned cork to his face in The Jazz Singer (1927), and scores of African-American actors bowed, scraped, shucked, and jived in...

Jan 22, 2009 — I’ve fulfilled a dream to become a part of the Criterion family. Criterion has helped to preserve not only the films I grew up with but also the ones I’m now trying to keep up with. Picking ten is worse...

Jan 14, 2009 — Gregory Nava, with his writing partner and producer, Anna Thomas, made the courageous decision to tell their story of a cold-war battleground from the point-of-view of the colonized “natives,” eschewing an English-speaking protagonist.

Dec 16, 2008 — More than a year ago, Peter and I were in the midst of discussions about how we wanted to launch the Criterion cinematheque. Over time, those discussions expanded to include every department at Criterion. We wanted to have a single...

Dec 15, 2008 — Flash back to September 1968. The Swedish Film Week in Sorrento, Italy, with its alfresco suppers and its excursions to Capri and Pompeii. Ingmar Bergman was expected, and he and Liv Ullmann were assigned a luxurious villa for the duration....

Dec 11, 2008 — Technical director Lee Kline, just back from Paris, where he worked on Last Year at Marienbad with Alain Resnais, reports: I was a little nervous to show Alain Resnais our new transfer of Marienbad, but I pushed hard to have...

Dec 9, 2008 — Dave Filipi is the Director of Film/Video at the Wexner Center for the Arts in Columbus, Ohio. He has been a fan of the Criterion Collection since the days when laserdisc was king. (Ohio State 42, Michigan 7; photo by...

Dec 7, 2008 — Fitting as a monument to such a long, influential, multimedia career, the publisher Taschen has released the mammoth The Ingmar Bergman Archives, a 592-page, fifteen-pound chronicle of the Swedish filmmaker’s career in film, theater, and television (“Just don’t pick up...

Dec 3, 2008 — Gliding on silvery reels of steel, and tricked out with Lars von Trier’s panoply of visual effects, the film ravishes with its elaborately storyboarded tunnel vision.

Dec 2, 2008 — The Danish director explains movie magic and confesses his carnal sins in this impassioned artist statement written to accompany the films that make up his Europe Trilogy