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In Gefahr und größter Not bringt der Mittelweg den Tod

Apr 20, 2019 The latest installment of the Criterion Channel’s Meet the Filmmakers series, in which we invite artists to create documentary portraits of directors they admire, sets out for a stroll with an underappreciated American master: Charles Burnett, the poetic realist behind...

Apr 14, 2019 In the Criterion Channel’s ongoing series Adventures in Moviegoing, we invite renowned artists to open up about their personal journeys as cinephiles, and also to guest-program a series of their favorite films, so they can share their movie love directly...

Apr 11, 2019 Every Friday on the newly launched Criterion Channel, we’ll be playing matchmaker, presenting a double bill of films that, for one reason or another, belong beside each other. Our Double Features will be sure to multiply your viewing pleasure, whether...

Mar 14, 2019 As a new collection of Tarkovsky’s writing is released, the Close-Up Film Centre presents presents side-by-side series of work by the two friends.

Jan 10, 2019 The February festival’s added eleven films to its competition and another six to the Berlinale Special program.

Nov 28, 2018 In the 1940s, the nonlinear narrative began to enter the mainstream, as films like Citizen Kane and Double Indemnity boldly did away with the chronological mode that had dominated the cinematic storytelling of decades prior. While the visionary Orson Welles...

Nov 19, 2018 The great German director reflects on her first experience with Ingmar Bergman’s classic meditation on mortality, a film that opened her eyes to the possibilities of cinema.

Nov 18, 2018 The powerhouse actors at the center of Persona became two of Ingmar Bergman’s most essential collaborators, bringing a remarkable emotional range to their performances.

Sep 28, 2018 This week’s round also includes David Bordwell on Alain Resnais and Sergei Loznitsa’s tribute to Kira Muratova.

Sep 11, 2018 A majestic meditation on humankind’s place in the cosmos, Terrence Malick’s The Tree of Life derives much of its power from the sheer range of its kaleidoscopic imagery. The film interweaves the story of one boy’s coming of age in 1950s Waco, Texas, with a...

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