The Criterion Collection
Jul 22, 2019 — As the Provençal baker at the heart of Marcel Pagnol’s wise, warm 1938 comedy The Baker’s Wife, French star Raimu moves effortlessly between comic exaggeration and touching subtlety, creating a protagonist as lovably dignified as he is incorrigibly flawed. The...
Jul 19, 2019 — Who did Agnès Varda want us to believe she was? Why has the idea that Stanley Kubrick faked the moon landing caught on? And Roger Corman, feminist hero?
The Daily
Jul 18, 2019 — While the focus is on new films by young directors, the guest of honor will be the renowned Shinya Tsukamoto.
Jul 18, 2019 — One of the great American films of the seventies, Alan J. Pakula’s crime thriller Klute is powered by Jane Fonda’s groundbreaking, Oscar-winning turn as Bree Daniels, a New York City sex worker and aspiring actor who finds herself drawn into...
Jul 16, 2019 — Armando Iannucci will open London, and Locarno and Venice are preparing their 2019 lineups
On the Channel
Jul 15, 2019 — After premiering at Cannes in 1980, Franco Rosso’s Babylon was suppressed both in its native England and abroad for fear that it would inflame racial tensions, a fate that resulted in decades of obscurity. But over the years this reggae-fueled drama has...
Jul 3, 2019 — Punk has been tamed, punk has been neutered, punk has been domesticated. The album The Stooges is fifty years old this August, and the music of omnidirectional bile and antiauthoritarianism that it anticipated has been museumified, the subject of a...
Jul 1, 2019 — The late forties and early fifties produced Italian cinema’s single most important export: the neorealism of Roberto Rossellini, Vittorio De Sica, and Luchino Visconti, treasured by generations of cinephiles and filmmakers all over the world. In Italy during the same...
The Daily
Jun 27, 2019 — Early reviews of the Hereditary director’s second feature may be mixed, but everyone agrees that it’s quite a trip.
Jun 27, 2019 — Sergei Bondarchuk pulled out all the stops to bring Tolstoy’s sprawling vision to the screen, and the result remains one of the most extravagant epic films of all time.