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Jun 15, 2016 — Although afflicted by on-set drama and offscreen tragedy, Jean Renoir’s La Chienne shows the director’s early mastery of sound cinema and features the trademarks that would come to define his style.

Jun 14, 2016 — Alexander Hall’s 1941 film showcased Robert Montgomery’s star power and, with its premise of a death revoked, provided much-needed comic relief to war-worried audiences.

Jun 9, 2016 — Dutch cinematographer Robby Müller has given us some of the most transcendent images ever captured on-screen. Since beginning his career in the late sixties, he has lensed a wealth of indelible moments—from Harry Dean Stanton wandering alone through the vast...

Jun 9, 2016 — Repertory PicksThis weekend, as part of its ongoing series Looking at Art Cinema, Aperture Cinema in Winston-Salem, North Carolina, will be screening François Truffaut’s 1973 metamovie Day for Night. In this farcical commentary on the filmmaking process, Truffaut stars as...

Jun 7, 2016 — “One of the discoveries of the road movies was not only that you could travel and work and make a film at the same time, and improvise it, but that rock and roll could also be, in the true sense,...

Jun 7, 2016 — Michelangelo Antonioni’s 1955 feature about a group of Turinese women plays on the themes of the novel it was adapted from, while showcasing the developing style of the soon-to-be legendary director.

Jun 6, 2016 — For the Paris Review’s site, Dante A. Ciampaglia writes about the midcentury film writing of artist-writer-poet-filmmaker and all-around New York legend Jonas Mekas. For more than half a century, Mekas, now ninety-three, has been changing the landscape of experimental film,...

Jun 4, 2016 — Wim Wenders’s road movies, Michael Almereyda writes, are “at once minimal and romantic, austere and lyrical,” focusing on questions—of individuals and society, culture and nature—that Wenders has returned to throughout his career.

Jun 3, 2016 — This August will bring two new Criterion releases to the United Kingdom: Dont Look Back, D. A. Pennebaker’s intimate 1967 portrait of Bob Dylan, and Arthur Hiller’s 1979 madcap classic The In-Laws. Head over to Amazon to check out our...

Jun 3, 2016 — During the second incarnation of this festival dedicated to movies preserved on nitrate film, Jared Case, the festival’s executive director, talks about his work bringing the Nitrate Picture Show to life, selecting this year’s films, and why nitrate remains a...