The One

Feb 4, 2018 — Leonardo DiCaprio will play Leonardo da Vinci in a film based on Walter Isaacson’s biography, reports Deadline’s Mike Fleming Jr. John Logan, who’s written Gladiator, Skyfall, and Martin Scorsese’s The Aviator starring DiCaprio, will write this one “while DiCaprio goes...

Dec 20, 2017 — Over the past decade, contemporary Greek cinema has erupted onto the international film stage with a new vanguard of directors whose bold works share a taste for provocation and highly stylized worlds. This week on the Criterion Channel on FilmStruck,...

Feb 16, 2017 — In his Palme d’Or–winning masterpiece The Tree of Wooden Clogs, Ermanno Olmi depicts both the hardship and the beauty of late nineteenth-century agrarian life in the Italian province of Bergamo, telling the story of four families that live and work...

Nov 4, 2016 — For our edition of the six-part chanbara epic Lone Wolf and Cub, we spoke with the author of the wildly popular manga series on which the films are based.

Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.

Nov 21, 2014 — Frank Capra’s It Happened One Night would seem to have all the earmarks of the great Hollywood genre the screwball comedy, but the jury has long been out on whether it can be classified that way, as it was released...

Apr 27, 2012 — Film scholar Annette Insdorf does a great job summing up The Unbearable Lightness of Being in her terrific new book on Philip Kaufman.

Jul 20, 2011 — Wes Anderson’s vision of New York City in The Royal Tenenbaums may be a storybook one, but, as a new short video on the A.V. Club proves, it’s all based on reality. The entertaining three-and-a-half-minute piece—made as part of the...

Mar 17, 2008 — Francesco Rosi’s film is a painstakingly documented reconstruction of the nefarious relationships between the Mafia, banditry, and economic and political power in Sicily between 1943 and 1950.

Apr 23, 2001 — A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.