The Criterion Collection
Aug 27, 2024 — A brilliant satire, inspired by a 1973 PBS documentary series that gave rise to the reality-television genre, Albert Brooks’s first feature film examines the ethical dilemmas of combining cheap entertainment and sociological experiment.
The Daily
Aug 23, 2024 — We’re revisiting key films from Francis Ford Coppola, Martha Coolidge, John M. Stahl, Asghar Farhadi, and Jacques Rozier.
The Daily
Aug 21, 2024 — This month brings a new biography of Agnès Varda, collections from Phillip Lopate and Jonathan Rosenbaum, and some hefty coffee-table accessories.
Aug 20, 2024 — In the late 1980s, filmmakers Gregorio Rocha and Sarah Minter set out to capture the rebellious subculture of youth in Ciudad Nezahualcóyotl, a slumlike suburb synonymous with the worst failures of urban expansion in Mexico.
The Daily
Aug 20, 2024 — Delon brought to the films of Melville, Visconti, Deray, and Losey one of the most beautiful faces in all of cinema.
Aug 20, 2024 — In her formally daring debut feature, Martha Coolidge stages a confrontation with the subject of date rape that questions the kind of “closure” required in conventional storytelling.
The Daily
Aug 16, 2024 — While we check in this week on Jane Campion and Clint Eastwood, IndieWire reassesses the best of the 2000s.
The Daily
Aug 16, 2024 — With her partner, John Cassavetes, Rowlands made some of the most vital and alive films in all of American cinema.
The Daily
Aug 15, 2024 — Late August, early September—this is the perfect spot on the calendar for the Rozier retrospectives in New York and Los Angeles.
Aug 13, 2024 — In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.