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a house not ours//pilgrims

Nov 2, 2022 The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

Oct 27, 2022 Take a stroll down some of film noir’s darkest alleys with our Fox Noir collection and tributes to genre stars John Garfield and Veronica Lake.

September Books

The Daily

Sep 22, 2022 This month we’re reading about Jean-Luc Godard, Dirk Bogarde, Michael K. Williams, a few new novels, and just the state of things in general.

Mar 30, 2022 Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.

Jan 12, 2022 Gifted with the looks and suavity of a young Elvis, the “Wicked Game” crooner shares with David Lynch an obsession with 1950s Americana—and a knowledge of the darkness at its heart.

Sep 29, 2021 Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.

Sep 16, 2021 For some, it’s “a relentless, propulsive chase movie,” while others find this first part to be “a turgid preamble with little payoff.”

Aug 10, 2021 Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.

Jul 6, 2021 The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.

May 7, 2021 The house on Walnut Road was and still is, among other things, a movie house. That becomes vividly clear in Michael Koresky’s searching and tender new memoir, Films of Endearment, in which he returns to this beloved childhood home several times over the...

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