The Criterion Collection
The Daily
Jun 21, 2019 — Can the movies survive? Can rotten people be great artists? Are we all doomed?
Essays
Jan 7, 2014 — Satyajit Ray was ailing when he made them, but these three works from the great filmmaker’s final years show an artist at the height of his powers.
Essays
Dec 4, 1995 — While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.
The Daily
Sep 26, 2025 — The week brings a celebration of restorationists and the new and younger audiences showing up to see their work.
The Daily
Jun 21, 2024 — We open with an Italian neorealist classic, steer through ’70s-era paranoia, and wrap with a blast of gnarly rock ’n’ roll.
The Daily
May 17, 2024 — We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.
The Daily
Apr 22, 2024 — In her new book on the Warhol superstar, “Carr not only meets Darling on her own terms but insists that we do, too.”
Oct 26, 2023 — Ever since he began working with the Miami-based film festival and collective Third Horizon in 2016, Jonathan Ali has been finding ways of celebrating Caribbean cinema and how it captures the irreducible complexity of the region and its diaspora. He...
The Daily
Apr 14, 2023 — This week: Interviews with Rob Tregenza and Ari Aster and new writing on Lubitsch, Jarmusch, and Laura Citarella.
Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.