We Can Do That

Sep 25, 2025 — To celebrate Robert Altman’s centennial, we invited five writers—Howard Hampton, Bruce LaBruce, Violet Lucca, Christina Newland, and Carlos Valladares—to each explore a favorite lesser-known gem from the great director’s filmography.

Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.

Sep 16, 2025 — In response to the suffocating conservatism of the eighties, Lizzie Borden crafted a pluralistic vision of a feminist front that neither ignores difference nor lets it stand as an immovable obstacle to political solidarity.

Jul 22, 2025 — An era-defining reckoning with the sexual revolution, Mike Nichols’s controversial drama develops a rigorous form for analyzing what we have recently come to call “toxic masculinity.”

May 27, 2025 — Suffused with slapstick humor and slightly surreal wit, Richard Lester’s beloved take on a frequently adapted adventure epic embodies a style of extravagant filmmaking that didn’t survive long past the 1970s.

Mar 25, 2025 — Unfettered by the precepts of bourgeois morality and the nuclear family, the characters in Alan Rudolph’s romantic drama struggle to find happiness as they navigate love’s whims and ambiguities.

Mar 7, 2025 — We’re spotlighting fine writing on Ben Rivers, Errol Morris, David Lynch, Želimir Žilnik, and Laura Carreira.

Feb 11, 2025 — Jean-Luc Godard’s first English-language narrative feature is a postapocalyptic fantasy that shifts from antic humor to tragic grandeur while challenging deep-rooted assumptions about what a Shakespearean movie should be.

Sep 26, 2024 — The directors discuss their award-winning documentary Bad Press and their effort to invert the exploitative dynamics that have long existed between documentary filmmakers and Indigenous communities.

Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.