The Criterion Collection
Apr 22, 2026 — “The wig has a name. The wig’s name is Pam.”I was not even a little surprised to hear that Dallas-born filmmaker Ja’Tovia Gary had given a name to the bouncy brown bob she wears in her film The Giverny Document...
Features
May 22, 2020 — Walking, like breathing, is something we do without thinking, an activity so common that pedestrian has as its second meaning uninspired, ordinary, dull. But when this action appears in a movie, it is revealed as more than the original mode...
Features
Mar 9, 2020 — “My objective is to create my own world, and these images which we create mean nothing more than the images which they are.” Andrei Tarkovsky More than three decades after his passing, the films of Andrei Tarkovsky retain their ability...
Features
Jun 4, 2019 — The great Hollywood portrait photographs are like close-ups that never end. Cinema is an art of faces, and the chance to gaze at them, to get lost in them, may be the deepest thrill movies offer. In the darkness of...
Aug 23, 2016 — Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.
May 29, 2012 — Harriet Andersson’s Monika is both an erotic object and an empowered female protagonist in Bergman’s groundbreaker.
Jul 21, 2008 — Akira Kurosawa’s modern adaptation of an American thriller represents a departure from his usual themes and stylistic choices.
On the Channel
Nov 18, 2018 — The powerhouse actors at the center of Persona became two of Ingmar Bergman’s most essential collaborators, bringing a remarkable emotional range to their performances.
On the Channel
Aug 19, 2025 — This month’s programming celebrates the centenary of the great American filmmaker Robert Altman, the career of Oscar-winning actor Jodie Foster, and much more.
The Daily
Dec 9, 2023 — This week we’re revisiting the work of Tolkin, Bogdanovich, and Borowczyk and reading profiles of Isabelle Huppert and Nicolas Cage.