The Criterion Collection
May 21, 2018 — Beyond the Hills (2012) tells the story of a real-life Romanian tragedy that attracted international media attention in 2005: the death of a young woman submitted to a shockingly medieval exorcism at a small monastery in Moldavia. The monastery was...
The Daily
May 16, 2018 — Workers and management face off in a French factory, and the reviews are so-so.
May 13, 2018 — It was decades ago, during one of the bitterest Montreal winters of his youth, that the acclaimed author and essayist Adam Gopnik had one of the experiences that made him a cinephile for life. The movie theater right down the street from...
May 1, 2018 — Working within the strict rules and tight budget of a commissioned television project, one of France’s finest contemporary directors made an artistic breakthrough that would go on to define his career.
Apr 19, 2018 — With a mix of improvisation, balletic physicality, and slapstick humor, Hollywood master Leo McCarey crafted the most sublime of screwball comedies.
Apr 18, 2018 — Sofia Coppola lets us behind closed doors in ways that are beyond the imagining of the novel’s boy narrators.
Apr 17, 2018 — “Almost every Steven Spielberg movie has its antecedent in a TV show, a movie serial or a comic book,” wrote Michael Sragow when he spoke with Spielberg for Rolling Stone in 1981. “The one he feels [Raiders of the Lost...
Apr 16, 2018 — Just before the release of her new film You Were Never Really Here, Lynne Ramsay spoke with us about her early moviegoing life in Glasgow, the version of herself that emerges on set, and the mind-expanding power of chess.
On the Channel
Mar 28, 2018 — A touchstone of contemporary independent cinema since its release in 2007, Frownland makes its debut on the Criterion Channel this week. Here’s an excerpt from a new conversation with director Ronald Bronstein.
The Daily
Mar 20, 2018 — “More than forty-two years after principal photography wrapped on Orson Welles’s The Other Side of the Wind, a ‘locked picture’ is finally in place,” reports Ray Kelly at Wellesnet. “It is being color-corrected with sound work continuing as the movie...