Stories We Tell

Sep 12, 2016 — Before kicking off a week run of To Sleep with Anger at the Film Society of Lincoln Center, the influential director joined us for a conversation about how his encounters with international cinema inspired him as a filmmaker of color.

May 26, 2016 — During the conductor and composer’s visit—a day after he’d led the New York Philharmonic in a live orchestral performance of the score to City Lights—we talked about his love for early cinema, the delicate process of restoring Chaplin’s music, and...

Apr 8, 2016 — Ten years ago, with the release of his debut film Reprise, a spirited drama about two young aspiring novelists, Norwegian filmmaker Joachim Trier emerged as one of the most interesting new voices in European cinema.

Apr 4, 2016 — Ray Dolby did not match the conventional image of an eccentric inventor, nor that of a business mogul. But his name now represents a benchmark by which the recording of sound and its playback on disc and in movie theaters...

Feb 3, 2016 — For more than two decades, photographer Gregory Crewdson has been creating otherworldly images that reveal an eerie side of Americana. His works, typically tableaux of small-town life, transform the everyday into the uncanny.

Jan 15, 2016 — The filmmaker and cinematographer had a lifelong commitment to the camera and how it could be used to foster dialogue and action.

Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Oct 9, 2015 — Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.

Aug 25, 2015 — In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.

Nov 17, 2014 — Claudette Colbert and Clark Gable’s effortless banter is pure magic, but Frank Capra’s comedy is rooted in the reality of the times.