So Long at the Fair

Oct 30, 2012 — All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.

Feb 28, 2011 — In 1969, director Alexander Macken­drick retired from the film industry and became founding dean of the film school at the newly established California Institute of the Arts. Passionately interested in the pedagogy of cinema (“Film writing and directing cannot be...

Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.

Dec 7, 2010 — Guillermo del Toro understands the power of fairy tales. Not the prettified romances of Charles Perrault, who tamed the Brothers Grimm for French drawing rooms, or the charming animal fables of Aesop, or the reassuring moral lessons Disney made of...

Dec 2, 2010 — Jacques Tati’s Playtime (1968) opens in a shiny space: nuns breeze past; a woman in a white uniform clacks through, bearing towels; a baby cries. People wait. The feeling is “hospital.” A second woman in white delivers towels, and we...

Oct 18, 2009 —  So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...

Feb 1, 1988 — Charles Laughton’s classic has the feel and the force of an American folk fable; yet, it also mixes rural humor with gothic humor, biblical quotation and Freudian symbolism, and everyday realities with a near-mythic confrontation between the forces of good...

Sep 17, 2024 — With grisly special-effects showcases, some of cinema’s most memorable witches, Japanese horror classics, and spine-tingling Stephen King adaptations all on deck, there’s plenty to choose from for your spooky-season viewing.

May 13, 2009 — Alexander Korda’s oeuvre is often characterized as larger-than-life, undoubtedly in part because the figures he was attracted to—kings and queens, legendary lovers and great artists—were often extraordinary.

Aug 18, 2020 — A sensuous exploration of amorous discontent and dreadful miscalculation, The Comfort of Strangers (1990) could be described as an erotic thriller, though it rarely is: its eroticism is too perverse, its pedigree too highbrow. Directed by Paul Schrader and based...