Report

May 28, 2024 — With just a few exceptions, critics are generally pleased with this year’s awards.

May 24, 2024 — The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.

May 23, 2024 — At a time of crisis for Argentinian cinema, an Argentinian director has won the top prize.

May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.

May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.

May 20, 2024 — The cinematographer has reunited with Andrea Arnold for Bird and with Yorgos Lanthimos on Kinds of Kindness.

May 20, 2024 — Every rave and every pan salutes Coppola’s determination to realize his grandest vision.

May 16, 2024 — Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.

May 15, 2024 — The festival opens with a showcase for French acting royalty.

May 10, 2024 — Horace Ové’s Pressure opens, Víctor Erice and Pedro Costa exchange ideas, and GQ presents an oral history of Go.