The Criterion Collection
May 14, 2013 — Delmer Daves’s classic western is psychologically probing, magnificently shot, and fascinatingly ambiguous.
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Nov 20, 2012 — Michael Cimino’s visionary western is a superbly realized account of a shocking real American tragedy.
Nov 13, 2012 — With this frenetic cinematic fresco, Pasolini began his Trilogy of Life and its forays into a world as yet unspoiled by capitalism.
Jun 13, 2012 — Tasteful British cinema got a refreshing dose of amorality with Danny Boyle’s stylish and violent tale of greed and paranoia.
May 8, 2012 — To start on a personal note: I wrote a book about La haine that came out in November 2005, just as the Paris suburbs (banlieues) erupted in an unprecedented wave of violence. Every night, as in the Bob Marley song we...
Apr 25, 2012 — Pearls of the Deep: Alumni AssociationIn the mid-1960s, there was a brief window during which a remarkable cinema of ideas and visual experimentation flourished in Communist Czechoslovakia. This fecund period lasted approximately five years, from 1963 to 1968, when it...
Feb 28, 2012 — In the long history of stage-to-screen translations, there’s never been anything quite like Louis Malle’s Vanya on 42nd Street (1994), an astonishing hybrid blurring the boundaries between theater and film, rehearsal and performance, actor and character. The production began in...
Nov 8, 2011 — With the very first shots of Fanny and Alexander (1982), director Ingmar Bergman announces his perspective and signals his intentions. Here, we find the ten-year-old Alexander gazing into a puppet theater, lifting layer after layer of skillfully painted backdrop. We...