O Aleijadinho

Aug 18, 2003 — The two versions of Vittorio De Sica’s neorealist romance offer case studies in Hollywood and European sensibilities as they existed in the early 1950s.

Sep 23, 2002 — In 1940 and 1941, David O. Selznick won back-to-back Academy Awards for Best Picture. In 1942, unsurprisingly, he was depressed. His wife, Irene, persuaded him to seek help, and, less than one year later, hale and hardy, he was eager...

Oct 29, 2001 — Peter Medak’s stinging satire is unashamedly theatrical, emerging from a fascinating period in English culture when theatre and cinema together were mining a rich vein of flamboyant self-analysis.

Oct 15, 2001 — Alfred Hitchcock’s classic thriller features two of Hollywood’s greatest stars, rendering their characters' grand romance in all its passion and perversity.

Aug 20, 2001 — Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.

Sep 18, 2000 — Reviewing Laurence Olivier’s 1948 film of Hamlet, James Agee—then a critic at Time—wrote: “The man who brings Hamlet, his friends, and his antagonists to life has tackled one of the most fascinating and most thankless tasks in show business. ....

Jun 7, 1999 — “Off there to the right—somewhere—is a large island,” said Whitney. “It’s rather a mystery—” “What island is it?” Rainsford asked. “The old charts called it Ship-Trap Island,” Whitney replied. “A suggestive name, isn’t it?” Sailors have a curious dread of...

Jun 7, 1999 — From the moment of its first appearance, at the Cannes Film Festival in 1959—where it won the Palme d’Or—it was clear that Black Orpheus was a very special film. Taking the ancient Greek myth of a youth who travels to...

Nov 14, 1995 — Tamura (Eiji Funakoshi), the hero of Kon Ichikawa’s drama, may be the loneliest man in the history of the movies—lonelier than the spiritual pilgrims of Bergman, Bresson, and Dreyer.

Oct 18, 1994 — Val Lewton’s cinematic diamond-in-the-rough has been recognized for decades as a definitive chiller, but it was conceived as a title, with no story or notion in mind, and as a way of generating cash for RKO.