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No Other Land

Sep 17, 2007 Today we are used to seeing dance artistically presented on television and in movies—these films about Martha Graham helped to make that happen.

Sep 3, 2007 Very few movies count as truly significant milestones in the development of American “indie” cinema during the last quarter of the twentieth century. They include Eraserhead (1977) and Return of the Secaucus Seven (1979), as early trailblazers; She’s Gotta Have...

Apr 23, 2007 Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.

Mar 16, 2007 The first of his films to be shown outside Japan, Ichikawa Kon’s twenty-seventh feature dramatically raised the director’s profile.

Jan 5, 2006 A gray flannel ghost story in which the living haunt the dead, the least appreciated of Akira Kurosawa’s midperiod collaborations with Toshiro Mifune throws open the windows of Japanese corporate corruption.

Jun 13, 2005 Godard’s famous claim that Au hasard Balthazar is “the world in an hour and a half” suggests how dense, how immense Bresson’s brief, elliptical tale about the life and death of a donkey is. The film’s steady accumulation of incident,...

May 9, 2005 Les Blank’s documentary examines the interaction of premodern tribal existence with European modernity, epitomized by a movie narrative about the invidious clash of brute nature and a singular ego bent on his own mission of cultural enlightenment.

Sep 29, 2003 In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...

Jun 23, 2003 One of the most unusual features of Italian cinema of the late ’50s and ’60s is the way that it affords us multiple perspectives on the same event, namely the economic boom following the postwar recovery. Where the directors of...

Apr 28, 2003 François Truffaut’s short Antoine Doinel film exposes an entire universe of male adolescent experience.

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