The Criterion Collection
Apr 1, 2015 — Ingmar Bergman plumbs unfathomable depths in his cinematically sensual tale of four women facing the inevitable in mind and body.
Feb 26, 2015 — The threat of death hangs over Watership Down, Martin Rosen’s wise and uncompromising animated adaptation of Richard Adams’s classic novel about rabbits on a survival mission.
Production Notes
Nov 13, 2014 — Michael Lennick, visual effects supervisor, writer, filmmaker, self described sci-fi geek, and friend of the Criterion Collection, died last week in Toronto. Early in his career, Michael created special video effects for David Cronenberg’s films Videodrome and The Dead Zone....
Features
Oct 2, 2014 — The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...
Interviews
Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...
Sep 2, 2014 — The following is excerpted from the book-length study Terence Davies, out September 8. See the bottom of the post for a clip of the scene it describes. Excerpt copyright 2014 by the Board of Trustees of the University of Illinois...
Essays
Aug 25, 2014 — Love and death tango in Bob Fosse’s glittering ode to his own mortality.
In Theaters
Jul 24, 2014 — Repertory PicksOn July 26, 27, and 28, viewers at the Center for Contemporary Arts Santa Fe can see Ingmar Bergman’s Wild Strawberries on the big screen, and thus enter the mindscape of Isak Borg, the film’s indelible main character. Played by legendary...
Essays
Jul 21, 2014 — Anouk Aimée’s beguiling chanteuse, the title character of Jacques Demy’s romantic debut feature, is the figure from whom the director’s entire cinematic world springs.
Essays
Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.