Back To Search

Memories

Apr 1, 2015 Ingmar Bergman plumbs unfathomable depths in his cinematically sensual tale of four women facing the inevitable in mind and body.

Feb 26, 2015 The threat of death hangs over Watership Down, Martin Rosen’s wise and uncompromising animated adaptation of Richard Adams’s classic novel about rabbits on a survival mission.

Michael Lennick, 1952–2014

Production Notes

Nov 13, 2014 Michael Lennick, visual effects supervisor, writer, filmmaker, self described sci-fi geek, and friend of the Criterion Collection, died last week in Toronto. Early in his career, Michael created special video effects for David Cronenberg’s films Videodrome and The Dead Zone....

Oct 2, 2014 The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...

Sep 16, 2014 The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Sep 2, 2014 The following is excerpted from the book-length study Terence Davies, out September 8. See the bottom of the post for a clip of the scene it describes. Excerpt copyright 2014 by the Board of Trustees of the University of Illinois...

Aug 25, 2014 Love and death tango in Bob Fosse’s glittering ode to his own mortality.

Into the Past

In Theaters

Jul 24, 2014 Repertory PicksOn July 26, 27, and 28, viewers at the Center for Contemporary Arts Santa Fe can see Ingmar Bergman’s Wild Strawberries on the big screen, and thus enter the mindscape of Isak Borg, the film’s indelible main character. Played by legendary...

Jul 21, 2014 Anouk Aimée’s beguiling chanteuse, the title character of Jacques Demy’s romantic debut feature, is the figure from whom the director’s entire cinematic world springs.

Jun 16, 2014 Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.

Current Page
51
of 63

You have no items in your shopping cart