The Criterion Collection
Aug 23, 2004 — This drama about young dreamers is the first definitive plunge into many of Federico Fellini’s dominant thematic and imagistic preoccupations.
Essays
Jul 19, 2004 — In Yasujiro Ozu’s hands, the extended-family drama widened its focus to encompass friends, neighbors, and employers.
Jun 21, 2004 — Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...
Sep 29, 2003 — In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...
Sep 23, 2002 — The theatricality of Alfred Hitchcock’s thriller makes the point that psychoanalysis is a sister to cinema rather than a rival.
Nov 19, 2001 — Alfred Hitchcock’s first film in Hollywood is his earliest definitive statement on male domination and female subjugation.
Essays
Feb 19, 2001 — Michael Powell and Emeric Pressburger’s romance film spins a web of myth and evocative symbolism around its central search for self-discovery.
Essays
Sep 25, 1995 — Noel Coward and David Lean’s drama is the Citizen Kane of war movies, as well as the precursor to Lean’s even more celebrated works.
Essays
Apr 23, 1990 — Paying little attention to civilized rules of cinema, and with a bit more than one million dollars, Steven Soderbergh expresses all his hidden anxieties in this indie classic.