The Criterion Collection
Dec 1, 2009 — The deeply disturbing drama of this landmark documentary about the Rolling Stones sprang from the disturbing drama of the times.
Dec 1, 2009 — The first words we hear are Sam Cutler’s: “Everybody seems to be ready—are we ready?” We were nowhere near ready for what was to come, there at the bitter end of the sixties. I remember that rainy day so well,...
Dec 1, 2009 — In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...
Features
Nov 9, 2009 — The following essay, written in October 1987, after the release of Wings of Desire, originally appeared in The Logic of Images, a collection of Wim Wenders’s writing that was published in 1992. In the last few years, since Paris, Texas, Berlin...
Nov 3, 2009 — If ever there was a European art film that could be all things to all people, it’s Wim Wenders’s 1987 masterpiece.
Essays
Oct 27, 2009 — Who speaks of Howards End these days? Who expounds on the virtues of this magnificent drama, whose traditional style seems almost as distant as its Edwardian setting? Seen today, years past its 1992 release, it strikes one as not only...
Interviews
Oct 22, 2009 — Almost a decade ago, Catherine Breillat, one of contemporary cinema’s great provocateurs, gave us Fat Girl (À ma soeur!), a disturbing and graphic look at the pitfalls of adolescent sexuality from the point of view of a pair of young sisters....
Oct 18, 2009 — So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...
Essays
Sep 17, 2009 — Director René Clément had conveyed the darker aspects of human nature in 1952’s heartbreaking Forbidden Games, which became an international, award-winning hit despite the rawness and melancholy of its antiwar message. The bitter irony and willingness to grapple with the...
May 25, 2009 — Reported from the set of Eddie Coyle by New Journalism trailblazer Grover Lewis, this article is a profile of Robert Mitchum that features extensive, idiosyncratic monologues by Mitchum himself.