In the Cut

Jan 10, 2005 — Seijun Suzuki's penultimate film for Nikkatsu is a subversively funny account of the making of a model fascist.

Jul 17, 2018 — Without doubt, Steven Soderbergh’s sex, lies, and videotape struck a nerve when it was released in 1989. Astonishingly, it still does today. Among the most storied of American independent films, it debuted at the U.S. Film Festival (soon to be renamed the...

Apr 25, 2024 — The American Cinematheque presents all six features, including the Los Angeles premiere of Eureka.

Jan 27, 2023 — This week brings a new issue of Seen, featuring Cauleen Smith; a conversation with Jia Zhangke; and a deep dive into Twin Peaks: The Return.

Jul 17, 2026 — Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.

Jul 10, 2024 — This year’s edition opens with jazz, features three revivals, and wraps with Godzilla.

Aug 15, 2019 — The Film Lucille Carra’s 1991 film The Inland Sea is a selective adaptation of the classic 1971 travelogue/memoir of the same name by the renowned expert on all things Japanese—and for cinephiles, the man who was most profoundly instrumental in...

Jan 20, 2014 — Aki Kaurismäki pays wry tribute to the starving artist in his sad and funny update of Henri Murger’s classic book.

Mar 30, 2010 — The work of Pedro Costa has progressed in slow, measured steps, but each step has been a giant leap. His slowness is both the condition and the consequence of ethical standards he shares with precious few directors of his generation....

Feb 19, 2007 — For a director whose vision is so frequently called pessimistic, Mikio Naruse’s drama exhibits a lightness of touch, deft and coolly understated, like its cocktail jazz score.