The Criterion Collection
May 18, 2018 — Improvising to Jim Jarmusch’s film in real time, Neil Young created a rich parallel environment that sounds like a force of nature.
The Daily
May 17, 2018 — High praise for the Korean director’s first film in eight years.
May 15, 2018 — Critics come down hard on this portrait of a serial killer, but the film does have its champions.
The Daily
May 12, 2018 — The five-part essay film is “infused in equal measures by despair and aspiration.”
On the Channel
May 10, 2018 — A new series on the Criterion Channel looks back at the political turmoil that brought down the 1968 Cannes Film Festival.
The Daily
May 9, 2018 — The first film from Kenya in Cannes’s Official Selection has already been banned at home.
The Daily
May 9, 2018 — Cannes’s Opening Night film is met with a first round of lukewarm reviews.
Essays
May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.
Essays
May 4, 2018 — What do we mean when we say a narrative film is poetic? The answer lies in this visionary western from director Jim Jarmusch.
May 3, 2018 — Sebastián Lelio is a Chilean filmmaker based in Berlin. His fifth feature film, A Fantastic Woman, won the 2018 Academy Award for best foreign-language film and the Independent Spirit Award for best international film. It premiered in main competition at...