The Criterion Collection
Production Notes
Jul 7, 2016 — In honor of the director, we look back at his quintessentially American narratives.
Interviews
Jul 6, 2016 — The screenwriter and director chats about the origins of his 2015 debut feature, Les cowboys, the differing experiences of being a screenwriter and a director, and his voracious consumption of cinema.
Jul 5, 2016 — Arthur Hiller’s 1979 comedy pairs Alan Arkin and Peter Falk as unlikely comrades in a madcap farce that lands every laugh.
May 10, 2016 — Nicholas Ray’s In a Lonely Place imbues the conventions of film noir with a subtle, tense vulnerability that lends a naturalistic weight to the film’s powerful emotional impact.
In Theaters
Apr 7, 2016 — Repertory PicksThis week, the Janus Films touring retrospective of Wim Wenders’s work is making a stop at the Railroad Square Cinema in Waterville, Maine, to screen the iconic German director’s 1984 masterpiece Paris, Texas. Based on a script by award-winning...
Essays
Dec 1, 2015 — Critic Todd McCarthy takes an inside look at Michael Ritchie's outdoor drama, which he calls “spare, cut to the bone, as fine as dry powder. Had Hemingway ever written about competitive skiing, this would have been the right style with...
Sneak Peeks
Sep 25, 2015 — Some months ago, we invited Criterion Facebook fans to submit their questions for director Wes Anderson, six of which he responded to on the commentary track on our release of Moonrise Kingdom. The following clip from the commentary features a...
Mar 24, 2015 — Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.
Short Takes
Feb 20, 2015 — In time for this year’s Academy Awards ceremony, we wanted to celebrate all the incredible women who have been nominated for best actress Oscars for their roles in Criterion titles. They range from the 1930s to the 2010s, and include...
Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.