The Criterion Collection
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Sep 25, 2019 — Adam Driver and Scarlett Johansson star as a couple whose breakup turns nasty at the hands of “the divorce-industrial complex.”
Sep 12, 2019 — A new web resource spearheaded by Su Friedrich celebrates women editors from around the world, highlighting work that has long been obscured by the masculinism of auteurist film culture.
The Daily
Sep 11, 2019 — Following his landmark collection of photographs, The Americans, Frank made essential films about the Beats, the Stones, and his own personal tragedies.
Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.
Sep 4, 2019 — The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.
Aug 14, 2019 — There is a scene in Henry King’s State Fair (1933) that ranks among the most poetic moments in all of 1930s American cinema. There is not much to it, just a family driving through the dusk in their rattling pickup...
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Aug 13, 2019 — As Toronto’s full lineup nears completion, New York looks to expand upon “our notions of what the moving image can do and be.”
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Aug 7, 2019 — The last two days have seen an avalanche of titles filling up the fall festival lineups.
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Aug 1, 2019 — A centerpiece for New York, Canadian films in Toronto, genre fare in Austin, and silent classics in Pordenone, Italy.
The Daily
Jul 25, 2019 — The festival will premiere new work from James Gray, Haifaa al-Mansour, Roy Andersson, Ciro Guerra, Costa-Gavras, Roman Polanski, and Olivier Assayas.