The Criterion Collection
Oct 16, 2013 — Georges Franju deftly balances fantasy and realism, clinical detachment and operatic emotion, beauty and pain, all presided over by Edith Scob’s haunting, haunted eyes.
Sep 23, 2013 — The neorealist master and the Hollywood icon forged a brilliant artistic path together, despite the backlash their controversial romance generated.
Aug 30, 2013 — Did You See This?• The great beauty of actor Toni Servillo • De Palma on De Palma • Support an LGBT film festival in Russia. • See the real New York. • Ginger Rogers, working girl • Successes here, shockers...
Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.
May 10, 2013 — Did You See This?• J. Hoberman bids farewell to Taylor Mead, original underground star. • The Chaplin fan club, youth chapter • Terry Gilliam unleashed • Isabella Rossellini, toadally • Greta Gerwig on repeat • A tribute to Ray Harryhausen,...
Sneak Peeks
May 7, 2013 — Band of Outsiders, now available in a Criterion Blu-ray edition, was Anna Karina’s fourth appearance in a film by her husband at the time, Jean-Luc Godard. The film contains what may be Karina’s sprightliest performance, the perfection of her attunement...
May 7, 2013 — Blame it on the Madison. Or blame it on Arthur, Franz, and Odile’s gleeful race through the Louvre in an attempt to break the world record (held by an American, of course) for the quickest visit ever. Blame it on...
Apr 19, 2013 — Did You See This?• Mapping out the world of Wes Anderson • Cannes 2013—and away we go! • Kurosawa, Godard, Herzog, Milius—just your average hangout • John Lurie returns to the rod and the reel. • For the love of...
Essays
Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...
Feb 27, 2013 — More than eighty films into his career, Kenji Mizoguchi made this emotionally devastating masterpiece, from a story by Ogai Mori.