The Criterion Collection
May 15, 2018 — Critics come down hard on this portrait of a serial killer, but the film does have its champions.
The Daily
May 12, 2018 — The five-part essay film is “infused in equal measures by despair and aspiration.”
On the Channel
May 10, 2018 — A new series on the Criterion Channel looks back at the political turmoil that brought down the 1968 Cannes Film Festival.
The Daily
May 9, 2018 — The first film from Kenya in Cannes’s Official Selection has already been banned at home.
The Daily
May 9, 2018 — Cannes’s Opening Night film is met with a first round of lukewarm reviews.
Essays
May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.
Essays
May 4, 2018 — What do we mean when we say a narrative film is poetic? The answer lies in this visionary western from director Jim Jarmusch.
May 3, 2018 — Sebastián Lelio is a Chilean filmmaker based in Berlin. His fifth feature film, A Fantastic Woman, won the 2018 Academy Award for best foreign-language film and the Independent Spirit Award for best international film. It premiered in main competition at...
Apr 16, 2018 — Just before the release of her new film You Were Never Really Here, Lynne Ramsay spoke with us about her early moviegoing life in Glasgow, the version of herself that emerges on set, and the mind-expanding power of chess.
In Theaters
Apr 12, 2018 — Nagisa Oshima followed up his succès de scandale In the Realm of the Senses with this Cannes award–winning ghost story, playing this week at the Austin Film Society.