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Cut and Run

May 25, 2010 Between 1952 and 2003, depending on how the various serial works are counted, Stan Brakhage made somewhere between 350 and 400 films, about half of them short film poems under ten minutes in length, most of the rest between ten...

Mar 23, 2010 If we adapt the language of horse breeders to the genealogy of films, we might write Yojimbo, by Shane out of Scarface.But while this odd coupling does suggest the most obvious hereditary traits of Akira Kurosawa’s black comedy, it fails...

Nov 22, 2009 “The most concrete emblem of every economic cycle is the dump,” writes Naples native and best-selling Italian muckraker Roberto Saviano somewhere near the conclusion of his extraordinary 2006 “nonfiction novel” Gomorrah, a seethingly cogent and literarily constructed indictment of the...

Dec 2, 2025 In a string of short films he made in the 1920s, Man Ray brought a restlessly inventive spirit to a young medium, pushing the boundaries of cinematic form with frenetic editing, abstract imagery, and surrealist camera tricks.

September Books

The Daily

Sep 18, 2024 We’re reading or anticipating new books from Pedro Almodóvar, Al Pacino, Werner Herzog, and Cher.

Aug 13, 2024 This month brings riveting courtroom dramas, New American Cinema classics, giallo shockers, pre-Code gems by women screenwriters, and a new episode of Adventures in Moviegoing.

Americans in Paris

The Daily

Nov 14, 2019 Curators Richard Peña and Livia Bloom Ingram bring nine “under the radar” titles by independent American filmmakers to the Cinémathèque française.

Mar 27, 2006 Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.

Aug 31, 2017 “Lucrecia Martel is the elusive poet of Latin-American cinema, missing believed lost, the Mary Celeste in human form,” begins the Guardian’s Xan Brooks. “She made La Cienaga and The Holy Girl; split the Cannes audience in two with her brilliant,...

Dec 17, 2025 Amid the disorientation of the COVID-19 era, this rousing film cut through with a life-affirming reminder that community and connection are still possible.

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